KymeraBJD

The trouble with the Boy was that he didn't have the heart of Shakespeare, the voice of Poe, nor the soul of Wordsworth, nor the knowledge of Rembrandt in his darkest days. He didn't have a trace of Michaelangelo's spirit nor the angst of Carvaggio and this on its own was enough to dissuade him from understanding that technique was far better than solidarity and possession far more ageless than youth. He didn't have any of this knowledge because his father hadn't had the courage to tell him that he needed all the qualities of these great men, to win over the heart of a woman who had the dreams of Austen, the ideas of Da Vinci and the scent o